Songs Perceived as Relaxing : Musical Features, Lyrics, and Contributing Mechanisms
Publiceringsår
2020
Upphovspersoner
Baltazar, Margarida; Västfjäll, Daniel
Abstrakt
How we listen to music has been changing rapidly in the last years, with online streaming becoming more predominant. Besides the gain in accessibility for the listeners, the growth of online services also affords easier access to data for musical analyses. A growing body of research has been showing that daily life music listening serves varied functions, from affect regulation to social bonding. More specifically, the reduction of stress responses is quite pertinent in the contemporary world, and recent studies have high-lighted the importance of adequate musical choices. This study aimed to identify the characteristics of music that individuals perceive as favorable to relax and to compare it to the music perceived as unfa-vorable to relax. Furthermore, the study intended to explore the possibilities offered by the application programming interfaces (API) of services such as the music streaming Spotify and the lyrics database genius as sources for future work. Answers were collected through an online survey, where the participants provided examples of music tracks (favorable and unfavorable to relaxation). They also rated the contribution of several musical mechanisms to the (in)efficacy of the examples. Musical features were pulled from the Spotify API and the lyrics were retrieved from the genius API through the R package spotifyr and then analyzed. The discriminant functions for musical features and perceived mechanisms (Wilks’ lambda: .611, χ2(20) = 257.57, p < .001) and for all the variables when lyrics were present (Wilks’ lambda: .555, χ2(26) = 202.80, p < .001) were statis-tically significant. Relaxing and non-relaxing music was successfully distinguished by perceived mechanisms, Spotify features, and two variables related to lyrics. The largest contributors for the discriminant function were the mechanisms aesthetic value, genre/preference, and familiarity, following by the Spotify features energy and loudness.
Visa merOrganisationer och upphovspersoner
Publikationstyp
Publikationsform
Artikel
Moderpublikationens typ
Konferens
Artikelstyp
Annan artikel
Målgrupp
VetenskapligKollegialt utvärderad
Inte kollegialt utvärderadUKM:s publikationstyp
B3 Icke-referentgranskad artikel i konferenspublikationPublikationskanalens uppgifter
Moderpublikationens namn
Konferens
International Conference: Psychology and Music – Interdisciplinary Encounters
Förläggare
Faculty of Music, University of Arts in Belgrade
Sidor
115-124
ISBN
Öppen tillgång
Öppen tillgänglighet i förläggarens tjänst
Ja
Öppen tillgång till publikationskanalen
Helt öppen publikationskanal
Parallellsparad
Ja
Övriga uppgifter
Vetenskapsområden
Psykologi; Teater, dans, musik, övrig scenkonst
Nyckelord
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Publiceringsland
Serbien
Förlagets internationalitet
Internationell
Språk
engelska
Internationell sampublikation
Ja
Sampublikation med ett företag
Nej
Publikationen ingår i undervisnings- och kulturministeriets datainsamling
Ja